Questions
- Did I miss any dangerous dependencies?
- Were any misdiagnosed?
- Which one do you think is the most dangerous?
The “Grace City” concept is rooted in what I think God can do, and how he sees a city. The world sees this place [Las Vegas] as Sin City, but if you step back from it, you see that God’s grace is available. When it comes to connecting with our culture, this idea of telling the truth in love is the linchpin for us. We don’t try to be relevant. We don’t try to be cool. We’re not making a big effort to “connect.” What we’re trying to do is live the gospel in our culture—honestly and truthfully.
There are a couple things that are dear to my heart. These are the culture of radical grace and radical truth... Today, it seems like it’s hard to find a church that values the Bible as the Word of God–that values it as the truth, that doesn’t want to compromise or bend it, that doesn’t want to take it in a liberal direction. But it’s hard to find a church that does so in the context of a truly grace-filled culture—a culture that lets you come in jacked out of your mind, and still be loved. I’m encouraged to be seeing this in church plants and church starts. I’m seeing a love for grace and a culture of grace that loves people, but also a love and respect for God’s Word and a willingness to take a stand on his Word.Make sure you check out the entire interview here!
A friend of mine sent me a video of Mark Dever reviewing The Trellis and the Vine, in which he states, "this is the best book I've ever read on the nature of church ministry." Now if I stated something like that, it wouldn't mean much. But, when Mark Dever makes a statement like that, it's worth taking a second look. So, my search to get my hands on a copy of this book began. That leads me to one of the few negative comments I can make about the book - the title and cover. Neither the title nor cover real jump out and get your attention. I can prove this! My search for the book finally ended up on my bureau! I had been given the book by a friend back in April, but the book had never caught my attention. In fact, it did little more than collect dust with some of my other "someday books." Maybe it's just because I'm not into the whole gardening thing, but a book with a title about vegetation and lawn ornaments doesn't exactly demand my attention. 1. Theological error - This one is pretty much inexcusable in my mind. How is it that after 700 years this stanza of All Creatures of Our God and King can still be found in our hymnals? "Dear mother earth, who day by day, Unfoldest blessings on our way, O praise Him! Alleluia!" This should be the official hymn of the green movement! It is dangerous to be teaching through singing incorrect doctrine. Thankfully this isn't rampant, but we need to be careful.
2. Foreign words/phrases - This is kind of basic, but if you don't know what something means, you can't really teach, learn, or worship. Just sayin'. A couple examples you say? How about "Gladly for aye we adore him" and "here I raise mine Ebeneezer" (which some have thankfully translated to "sign of victory"). Holiday hymns also join the ranks by using different languages in the same song. Some Christmas favorites are "G.....L.....O.....R.....I......A. in excelsis Deo" and "Noel x 6."
3. Archaic or awkward language - This principle is similar to #2 and there is some overlap depending on the person. Typically though, the hymns in this category use mostly familiar words. You can clearly identify this category if, as you are singing, you find yourself scratching your head thinking "Could they have worded this any more awkwardly?" These hymns probably weren't always awkward, but they are now quite dated. While it is true that God understands and appreciates 1st century Greek, 17th century English, 19th century German, and 21st century English equally well, the same cannot be said of us. We read, speak, learn in, communicate love through, and express our deepest pains by means 21st century English. Shouldn't we worship in that language as well? The first verse of The Lord's My Shepherd, I'll Not Want is a perfect example. "The Lord's my Shepherd, I'll not want; He makes me down to lie / In pasture green; He leadeth me The quiet waters by." If you talk like that, I have a speech therapist you can see! Other words in this category include "thou, thy, hast, and ye."
1. I'm not advocating the abandonment of all old hymns. To some of you this is a sigh of relief. To others, perhaps a disappointment. The New Testament encourages the singing of psalms, which at that time were quite old (they had, however, been translated into "modern Greek"). I think we ought to respect and enjoy old hymns.
2. We need to examine what we sing, preferably before we sing it. Is it theologically correct? Is the language understandable? Are we able to sing with understanding or are we mumbling through 18th century incantations?
3. We need to adapt the older songs to make them theologically correct, understandable, and suitable for worship and for building up fellow believers. Thanks to technological advances, this is much easier to do with power point than it would have been to alter hymnals by hand.
4. We need to recognize the biblical emphasis on new songs (Ps 40:1-3; Ex 15:20-21; Lk 1:46-55). The church today needs to be writing and singing new expressions of what the Lord is doing in and through His people. For the record, I think that is one of the biggest reasons that conservative circles enjoy Sovereign Grace music, regardless of the style of musical accompaniment. The theological texts are phrased in modern English. Blows my mind why current authors would write their texts chock full of archaic language, but I don’t want to be too judgmental. Maybe it’s their language of love!